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Birmingham
Improv 04
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Coastal
Traces
Eleanor
Hovda
Hovda- composer, grand
piano innards
Jack Vees- elec. bass,
12-string gtr., elec. gtr., waterphone
Libby Van Cleve- oboe,
English horn, oboe d’amore, shenai
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Real goods here, folks. “Coastal
Traces Tidepools” for grand piano insides and waterphone, in its
crystalline strangeness, makes me think of what fractals might sound
like if they were physical and danced. “Glacier Track” raises sand
deserts, not ice deserts. Van Cleve’s oboe d’amore sounds an elegy for a
lost tribal elder with its echoes of Middle Eastern sonorities. It’s a
stunner. Van Cleve uses the screaming potentials of the shenai to scary
effect on “Shenai Sky” and “Beginnings.” Throughout the record the
categories “composed” and “improvised” are thoroughly blurred. The
musicians offer droning, keening, frayed but rich music throughout and
the result is the stuff of depth, substrata and eternity, even. It’s an
involving, deep-listening excursion into the night side of reality.
OO Discs 0029
Richard Grooms
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