Don’t let the title mystify or intimidate you-I
don’t get it either. Just be aware that this is a theatre wherein Burt’s
rough compositional outlines leave room for improvisation and
randomness-and it’s all played on tuning forks. Schieve’s nimbleness on
the forks (there are many types of them in her array) makes for a forest
of surprising, wholly novel and almost always gentle sounds. The sounds
seem to rise up vertically from the surface, and then fade away, to be
replaced by new ones. Masterfully recorded for optimum clarity, detail
and warmth, this is a document of remarkable sonic gorgeousness. Though
the “pieces” are divided up into four parts in the liner notes there is
no pause or significant change when one piece stops and another starts.
In effect each cd in this 2-cd set is a “piece.” Fans of Tibetan bells
and overtones will be at least intrigued and probably delighted by this
record as will anyone open to new horizons in the possibility of
consonant sound.
Experimental Intermedia
XI 130
www.xirecords.org
Richard Grooms
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