The half-hour “Palmos” is long
enough to convey a vast, mysterious landscape which includes terrain
both strange and gentle. Little happens, perhaps because little needs to
happen. This isn’t music which feels it needs to make a statement, but
it doesn’t fade into the wallpaper either. More directly involving are
the two NPFAI (New Possibilities fro African Instruments) pieces where
Voudouris, a long-time South African resident, processes the sounds of
the marimba, kundi and mbira through a computer, giving them a delicate,
rapid-fire dexterity no human could begin to approach. Think of them as
hyper-David Behrman outings. There are many reasons to involve yourself
with this composer’s music. It’s not only new, but ripe.
Pogus productions
P 21043-2
www.pogus.com
Richard Grooms
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